Rango - Blockbuster New Releases Information

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C. Sawin (TX) –

  

  

Director Gore Verbinski has put together quite the filmography over the years. His first feature film was the family comedy Mousehunt, which he followed up with the R-rated action comedy The Mexican. He also jumped on the successful remake bandwagon before the trend really took off with The Ring. It was the Pirates of the Caribbean films that teamed the director with the hottest actor in Hollywood today; Johnny Depp. Perhaps it’s because those films made over a billion dollars at the box office or because they just had fun working together or a little bit of both that Depp was chosen to voice a talking chameleon in Verbinski’s bizarre yet spectacular animated adventure known as Rango.

Rango isn’t your average animated film. That fact will become abundantly clear during Rango’s opening monologue amongst his “friends.” The film is actually more adult than any of the trailers let on. Within the first ten minutes of the film, Rango has a rather lengthy conversation with some fresh roadkill. In addition to that, the last half of the film is much darker than the first half. Maybe it’s the countless number of bats with gatling guns strapped to them, Rattlesnake Jake being one of the most menacing animated villains in years, the film using its fair share of both “hell” and “damn” quite a few times, the film not shying away from the use of nooses, or, God forbid, animated characters smoking, but Rango just doesn’t feel like an everyday, run-of-the-mill film put out by Nickelodeon.

Rango also wears its western references on its sleeve. The old time saloons, tumbleweeds, stare downs before a gunfight, and a town’s utmost desire for both a sheriff and something to believe in are proof of that. But perhaps it’s Timothy Olyphant’s cameo appearance as The Spirit of the West that is both the biggest homage to westerns you could possibly think of and the biggest surprise of the film (at least as far as his appearance goes). Well it’s either that or the Fear and Loathing in Las Vegas reference. Both are equally amazing.

This has the atmosphere of an animated film that was made for adults. It’s very off-balanced in the best kind of way, but a lot of the references and humor are sure to go over a child’s head. Some of the characters in the film talk really fast (mostly just Rango and Beans at times) and while Rango is goofy enough to make the kids laugh, the subject content involving the town of Dirt certainly seems to be aimed towards a more mature sense of humor.

Rango is the first animated film from Industrial Light & Magic, the special effects company that did computer generated effects for the first three Star Wars films and the effects for the T-1000 in Terminator 2 among countless others. The film looks phenomenal. There were times when Rango looked like he was walking in an actual desert. While the characters weren’t quite as detailed as the owls in Legend of the Guardians, they still looked incredibly realistic or as realistic as talking animals could possibly be.

Rango is one of the most eccentric animated films you’ll ever have the pleasure of sitting through. Its homage to westerns combined with its explosive action sequences, an endless amount of hilarity, tender and sentimental moments that actually make you feel sorry for a talking lizard, and even a little bit of romance pretty much has all your bases covered as far as genres are concerned. Rango is a dark, witty, and entertaining ride that’s also fairly mature for an animated film. All in all, Rango is easily the best movie of 2011 so far.

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Whitt Patrick Pond “Whitt” (Cambridge, MA United States) –

  

Gore Verbinski’s animated feature Rango, with voices by Johnny Depp, Ned Beatty and a host of other talented actors, is a hard film to review, mainly because its real target audience is not the one it’s being marketed towards. Let me just flat out say it: this really isn’t a kids’ animated movie. Not because there’s anything in it that is not suitable for kids – there isn’t – but because 95 percent of what really makes it worth seeing is going to go right over most kids’ heads.

On the surface, the plot is fairly straightforward, at least in the set-up. A terrarium-housed pet chameleon lizard (it’s significant after the fact that you never know his real name) ends up stranded in the desert where he is directed to a small town that is on the verge of extinction because of a mysterious water shortage. In his efforts to blend in (he _is_ a chamelon after all), he adopts the name Rango and in quick order suddenly finds himself appointed sheriff and given the mission of finding out what’s happened to the town’s water.

Stylistically, Verbinski was willing to take some real chances with Rango, and anyone who appreciates animation as an art will find a lot to see here. The level of detail and sheer originality is stunning. Rango does not resemble _anything_ I’ve seen in an animated film before. Though set in the current day, the world of Rango is essentially an Old West town – aptly named Dirt – that’s literally drying up, populated by a cast of animal characters who look like they stepped out of any number of classic Westerns. The difference between Rango and your usual animated take on this theme though is that the residents of Dirt are _not_ cute. In addition to being much closer in look to the real animals they’re based on – lizards, tortoises, toads, possums, snakes, prarie dogs and such – they’re also grizzled, dusty, sun-bleached and wind-beaten, and in many cases, just downright _ugly_. Including, or even especially, the good guys. One suspects that merchandising for Rango will be somewhat problematic.

But it says something that everything fits together seamlessly. The town really looks like an Old West town on the verge of becoming a ghost town, and the characters look like they really do live there. And again, the level of detail is stunning, from the clothes the characters wear to the characters themselves, the buildings and other structures, the interiors. The four desert-owl mariachi players who sing narration at various points in the film are a case in point. The level of detail that is taken with their intricately shaded feathers, their embroidered mariachi costumes and their musical instruments – and the way all of these things _move_ when the characters do – is amazing. This is a movie you could watch again and again just to appreciate how much the artists put into it.

I have to mention two characters in particular that really stood out: the Mayor (marvelously voiced by Ned Beatty), a tortoise modeled directly on John Huston’s genial but chilling Noah Cross from the classic film Chinatown, and Rattlesnake Jake (also marvelously voiced by Bill Nighy), absolutely one of the best animated villains ever created. It’s absolutely spell-binding just to watch Jake _move_, a stunning feat of animation. I’ve never seen an animated character manage to radiate sheer menace on the level that Rattlesnake Jake does. In thinking about it, I now have to amend my earlier statement somewhat; Rattlesnake Jake could definitely scare some younger children. But that said, Rango is worth seeing for Rattlesnake Jake alone.

My mention of Chinatown brings me to the other prospective audience for Rango: film buffs. Rango references a truly astonishing number of movies: several classic Westerns (High Noon; The Good, the Bad & the Ugly; The Quick & The Dead, Paint Your Wagon) as one would expect, but also a number of non-Westerns, some fairly recent (Pirates of the Caribbean: At World’s End, A Bug’s Life), some classic (Lawrence of Arabia, Apocalypse Now) and some obscure (Fear & Loathing in Las Vegas). And of course Chinatown, not only for the Mayor character but for a number of scenes (watch for the glasses) and a good deal of the plot. And there’s also a key scene that’s a nod to a famous actor/director who is still remembered for his association with Westerns and for a certain classic character he created. A good example of the little in-jokes in Rango is what he’s carrying around in the back of the golf cart. As I said, most kids are going to miss 95 percent of this stuff. Me, I want to get the DVD just so I can watch it again and pick out all of the references I probably missed the first time around. It’s that kind of movie.

About my only real criticism of Rango – other than its being marketed to the wrong audience – is that parts of it are uneven and do tend to drag a bit. I think this is because the parts that do seem to be…

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Philip H. Gold (Beaverton, OR United States) –

  

I wasn’t exactly sure what I was going to see, but I figured with Verbinski and Depp involved it couldn’t be too bad. Boy, did I underestimate them! This movie was hysterical from the opening moments (Mariachi owls, anyone?). I agree with all the reviewers who said it wasn’t a kids’ film – too dark, and the amount of references and in-jokes lifted it way out of the Saturday morning/Disney category into the realm of inspired parody, but without losing a certain sweetness. The animation and production were outstanding as well, and I’m hoping the boys team up with ILM again soon!

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